Play Along Piano

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Opera

The Phantom of the Opera

musikmann

4:02	Est. Play Time
121	Measures
	2,711Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		25	14	11	5	18%
		1	0	0	1	1%
View all 28 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		25	14	11	5	18%
		1	0	0	1	1%
		23	1	9	2	100%
Electric Bass		20	0	6	2	100%
Violoncello		18	0	3	3	77%
Contrabass		18	0	3	2	75%
Christine		29	0	3	7	57%
Electric Guitar		35	20	11	9	40%
Phantom		20	0	3	5	36%
Violin 1		25	0	3	7	30%
B♭ Trumpet 1		16	0	6	6	19%
Trombone 1		13	0	5	6	19%
Violin 2		24	0	3	7	17%
B♭ Trumpet 2		16	0	4	6	16%
F Horn 1 amp;amp; 3		13	0	6	4	12%
Viola		9	0	1	6	12%
Timpani		5	0	0	2	12%
Flute 1		9	0	3	6	11%
Trombone 2		11	0	4	5	11%
Flute 2		9	0	2	6	9%
F Horn 2 amp;amp; 4		13	0	5	4	7%
Tuba		12	0	3	4	7%
Oboe 1		8	0	2	6	7%
B♭ Clarinet 1		10	0	2	4	5%
B♭ Clarinet 2		7	0	2	4	5%
Bassoon 1		8	0	2	4	5%
Bassoon 2		10	0	2	4	5%
Oboe 2		10	0	3	4	5%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 8/16 Acte 1 : Coro Scena 10

Papibois

1:12	Est. Play Time
56	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	7	6	7	100%
		28	28	8	7	98%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	7	6	7	100%
		28	28	8	7	98%
Belcore		16	0	3	6	63%
Basse		7	0	1	5	38%
Ténor 1		8	0	1	5	36%
Ténor 2		8	0	1	5	32%
Soprano 1		7	0	1	4	16%
Soprano 2		6	0	2	4	16%
Nemorino		5	0	1	4	4%

The Naval Battle

CelticRose

0:14	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn		7	0	2	2	75%
		7	0	2	2	75%
View all 16 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn		7	0	2	2	75%
		7	0	2	2	75%
		7	0	2	2	75%
		7	0	2	2	75%
B Trumpet		6	0	2	2	50%
		6	0	2	2	50%
Double Basses		3	0	1	1	50%
Flute		17	0	4	2	50%
Piccolo		17	0	4	2	50%
Timpani		1	0	0	2	50%
Violas		3	0	1	1	50%
Violins 1		17	0	4	2	50%
Violins 2		17	0	4	2	50%
Violoncellos		3	0	1	1	50%
F Tuba		4	0	2	2	25%
Oboe		3	0	1	1	25%

AÏDA de Verdi : Chœurs Partie 10/10 Acte 4 : Finale ultimo

Papibois

3:33	Est. Play Time
61	Measures
	1,036Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	37	9	9	99%
		33	27	8	5	96%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	37	9	9	99%
		33	27	8	5	96%
Aïda		15	0	2	9	70%
Radamès		14	0	2	9	62%
Prêtres Bas		9	4	2	9	48%
Prêtresses Sop		11	5	3	9	48%
Prêtres Ten		10	6	2	9	41%
Amnéris		7	0	1	6	18%

Overture

BelCantoOpera

6:16	Est. Play Time
177	Measures
	1,908Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos		21	0	0	6	69%
Violins 1		20	0	0	7	64%
View all 22 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos		21	0	0	6	69%
Violins 1		20	0	0	7	64%
Violas		18	0	0	8	63%
Violins 2		21	0	0	5	61%
Double Basses		16	0	0	6	59%
Flute		11	0	0	5	18%
		14	0	0	7	34%
B Trumpet		11	0	4	9	25%
		15	0	5	7	18%
Trombone		14	0	0	7	24%
		4	0	0	2	4%
Oboe		10	0	0	5	7%
		14	0	0	6	22%
Horn		12	0	2	6	21%
		10	0	1	4	19%
Bassoon		14	0	0	7	16%
		10	0	0	7	10%
B Clarinet		11	0	4	4	10%
		10	0	2	4	10%
Timpani		4	0	0	2	9%
F Tuba		3	0	0	2	2%
Piccolo		3	0	0	2	2%

Dido and Æneas, No.31: Chorus - Destruction's our delight

Voorburgs Operakoor

2:24	Est. Play Time
88	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	60	6	7	100%
		28	20	6	6	96%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	60	6	7	100%
		28	20	6	6	96%
A		12	0	2	5	35%
B		12	0	2	5	35%
S		10	0	1	4	35%
T		11	0	1	5	35%

J. Hoffenbach, Les contes d'Hoffmann: Couplets bachiques

Mélisande

3:08	Est. Play Time
69	Measures
	1,180Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	37	8	7	100%
		31	43	8	3	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	37	8	7	100%
		31	43	8	3	100%
Hoffmann		14	0	3	6	75%
B		10	2	1	3	25%
T		11	10	2	3	25%
S		11	5	1	3	24%

HWV5A2N11 - "Mà Rodrigo"

edward.maurath

0:52	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Rodrigo		11	0	2	3	94%
Lute (Continuo)		9	10	2	1	88%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Rodrigo		11	0	2	3	94%
Lute (Continuo)		9	10	2	1	88%
		18	17	4	3	88%
Violoncello (Continuo)		9	0	2	3	88%
Cembalo (Continuo)		3	0	0	1	31%
		15	9	2	3	44%

Verdi, Rigoletto: Act 2 - Parmi veder le lagrime

Mélisande

4:35	Est. Play Time
88	Measures
	2,392Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violons		23	12	8	8	89%
		35	12	15	10	89%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violons		23	12	8	8	89%
		35	12	15	10	89%
Altos, Violas		22	15	9	8	89%
Contrebasses		21	0	10	9	89%
Violoncelles		21	0	10	9	89%
Duc		19	0	9	15	70%
Hautbois		14	3	3	6	22%
Basson		12	9	2	5	18%
Clarinette Basse		11	2	2	6	18%
Flûte		7	0	1	6	5%

Claude Debussy - Pelleas et Melisande Act 5 (Vocal Score) WIP

LeftRight

3:15	Est. Play Time
60	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		40	26	18	9	88%
		39	60	16	7	79%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		40	26	18	9	88%
		39	60	16	7	79%
Le Médecin		8	0	2	5	21%
Arkel		11	0	4	6	17%
Golaud		14	0	6	4	17%
Mélisande		5	0	2	3	13%

HWV8A2N13 - "Un sospiretto d'un labbro pallido" (Dorinda)

edward.maurath

4:17	Est. Play Time
64	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		27	29	9	7	97%
		25	19	5	7	97%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		27	29	9	7	97%
		25	19	5	7	97%
Violoncello		24	0	5	6	97%
Contrabass		24	0	5	5	88%
Dorinda		17	0	6	6	75%
Violins 1		22	0	7	7	56%
Contrabasses		17	0	4	3	47%
Violoncellos		17	0	4	3	47%
Bassoon		10	0	2	3	13%
Oboe		14	0	2	5	13%

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